User reviews: Roland JUNO- 2 - Audiofanzine. ALPHA JUNO- series, released in 1. Juno- 2, the Juno- 1 (the same keyboard with four octaves without momentum or velocity), the MKS- 5. Version expander) The HS- 8. Juno- 2 with speakers), and HS- 1. Juno- 1). ALPHA JUNO- 2 is an analog synthesizer with 6 voices of polyphony, monotimbral. The Roland Juno 6 Synthesizer has an average rating of:4.4 out of 5. The juno 6 and 60 are the best juno. It seems odd that the Juno 60 often fetches over Here's a quick walk through of all the Example Sounds from the original Roland Juno-6 manual. The manual with patch sheets can be downloaded here for reference. Roland Juno- 6/60 vs TAL U-NO-LX v2.27. Roland Juno-60 *Analog Synthesizer* Polyphony: 6 voices Oscillators: DCO: pulse, saw, square and sub-oscillator LFO: rate and delay. Juno-60 factory patch-list Juno-60 factory sound-list (pdf) Juno-60 Links. There are thousands of free Sounds and Synthesizer Presets on PatchArena Synthesizer Presets Samples Orchestral Instruments Percussion Drum Machines Effects. Any ideas how to do this or know of some websites where people have posted actual patch settings in text instead of just patches from audio dumps? Roland’s legendary DCO-based Juno 60 is a certified classic but as. TAL U-NO-LX: Juno Love. His memory is organized into 3 groups of 8 banks of 8 tones is: 6. ROM), 6. 4 in internal memory (RAM), and 6. M- 6. 4C cartridge or optional M- 1. C (RAM). The outputs (mono) and R, headphones, jack 6. Pedal inputs: - Volume pedal - Sustain Pedal / hold Pedal- switch: Assignable to incrementing programs (1 to 8> 1 .. MIDI IN, OUT and THRU. Fairly comprehensive MIDI implementation. Find great deals on eBay for Roland Juno 60 roland juno 106. Shop with confidence. Juno-106 Preset Patch Sheet. Posts; Latest Activity; Search. LCD 1. 6 alphanumeric characters. Dimensions: 9. 72x. Weight: 7. 5 Kg The synth has a very simple line. Oberheim Files: Assorted files here at Synth Zone for Oberheim synths including patches and documents. Matrix 12 patches - hyperreal: A patch file at Hyperreal Oberheim Heaven: FTP archive with Matrix 6, Matrix 1000, OB8 and. Juno-60 Patch Sheet.pdf. Bearing in mind the Juno 6 has no memory. The construction is solid. It is narrow, so no question of preparing its PG- 3. JX. The keyboard responds to the dynamic (velocity) and aftertouch. It is very soft, but a bit noisy, and may generate spurious notes when releasing a button dryly. UTILIZATIONThe JUNO is easy to use once gained control of the alpha dial. It has few parameters: 5 for the general settings for MIDI 1. The addition of a PG- 3. JUNO live by its commands Tone Modify (speed and modulation depth, brilliance and envelope) and menus (see this video: I tried editing software freeware EZ- Alpha and PG- 3. Emu that function smoothly. In terms of game features, there is a button tuning memory, an activation button portamento, octave - 1 command, a button for transposition (- 1. I find it unfortunate that the pitch bend value is part of the parameters of sounds, rather than the general settings. A cursor near the lever as the JX- 1. There is no single player mode (but you can compensate by scheduling an agreement . The manual is clear and detailed. It explains quite clearly how the parameters affect the sound. It lacks only the factory reset procedure (turn while pressing Portamento and Data Transfer), as well as figures on the LFO or envelope times for example. Failures on the most common identified mainly concern the keyboard (some keys on maximum velocity, aftertouch), but also, more troublesome and fortunately rare, the failure of components which produce a much higher rating than the other or absent. SOUNDSArchitecture COD The basic wave is produced by the addition of a square wave PULSE (2 types PW + / PWM), a sawtooth wave SAWTOOTH (4 types PW + / PWM), a square wave sub SUB (6 types - 1 or - 2 octaves on four levels), and a noise generator to 4 levels. The PW / PWM modulation (pulse width) is common to two waves, and can be controlled by the LFO. Section COD is modulated by the LFO, envelope (normal or inverted, with or without dynamic), and aftertouch. VCF In this section, there are three types of filters, low- pass and high- pass 1 and 2, and the settings of cutoff frequency and resonance. Section VCF can be modulated by LFO, envelope with or without dynamic envelope reversed dynamics and aftertouch. ENVELOPE The envelope generator is atypical. Its seven parameters are used, for example, a soft attack followed by a . This envelope generator thus enables particular forms: ADDSR, ADASR, AADSR, and even if AAASR sustain level is above the levels of attack. But we can find a classic ADSR envelope by adjusting three parameters to 0 or 1. The envelope is modulated by the key follow. It is assignable to the DCO, VCF and VCA, the latter having in addition a form with or without dynamic gate. See examples of envelopes at the end of the view LFO The sinusoidal LFO with adjustable delay may be applied in the DCO and VCF. But this LFO has a bad thing: it does not work in a mode . This makes it difficult to synchronize the LFO with other devices or DAW, unless you play the stopwatch and the calculator, or tap tempo. Surprisingly, willful default or when the LFO is set to its highest values, and assigned only to the VCF, some notes on the keyboard (especially in the bass) have values . This produces effects . CHORUS The chorus is adjustable from 0 to 1. On the Juno- 2, Roland pushed up this simple synthesis, directly after that of Juno 6, 6. PULSE SAWTOOTH, chorus adjustable ( allowing more shades than the 2- position of the previous JUNO), the 7- parameter envelope, pitch modulation by the envelope, dynamics and aftertouch keyboard. Subjective opinion on sounds Acoustic sounds and electro- acoustic: The acoustic pianos, plucked violins (except possibly the cello), brass, winds are useless, except for parodies (but this is generally true for many analos). Electric basses are averages. However, the boundary between these sounds and other more interesting is tenuous: changing some parameters on a preset, and you get a sound worthy of interest. I like some EP in the reworking. The melodic percussive sounds (xylophones, marimbas ..) are pretty good. I quite like the organ, pipe or electrical. Sets of strings, although lacking a bit of realism, are good, including its Long Strings, which I used as the basis for many sounds. Synthetic sounds: This is where the Juno is the most comfortable. He excels in the pads, tablecloths, sweeps, bass. For leads, I do not really judging this kind of sounds does not interest me much. Some FX are ridiculous, others are taking full advantage of the complex envelope. By combining the PWM and high values . On the other hand, involve a slow LFO, the envelope times higher, an envelope follower, produces sounds evolving over several minutes. Percussive sounds: The few presets (Electro. Drum, Kick, Synth. Tom) are usable. You have to play equalizer to give a little more strength to kick. A little research, we can approximate the sounds of Charley. Apart from the chorus, which is part of its synthesis, the Juno- 2 has no effect. I would usually add a touch of reverb or some delay. The sounds take full advantage of keyboard velocity. Confined to the use of electro / dance / techno would be simplistic in view of its synthetic. This is a fairly versatile synth. OVERALL OPINIONWhat can he fail to be ? I could try different synths in store: digital (DX Yamaha, Korg DW- 8. DS- 8, Roland D- 1. D- 5. 0) and analog (Korg Poly- 8. Roland JX- 1. 0). Cooled by the sound of digital, I finally bought the Juno mail, without trying, my opinion based on the few that were found in the music press and on the strong impression I had made the JX- 1. I have never regretted this purchase. Before the recent acquisition of a Super JX, I feared that my JUNO- 2 would not suffer the comparison. On the contrary, the JUNO- 2 lot of sounds that the JX- 1. It is a simple and efficient synthetic, ideal for beginners. With its multiple waveforms, its modulations, one can easily draw sounds very interesting, still valid.
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